Disclaimer

It’s been a few years, and there’s a chill in the air. When the time comes and my current books are launched, they may have to include a new paragraph on the copyright page. To whit:

Dear Reader:

This whole work is about me — my story about as much of the world as I’ve experienced. The world is vast. Imagining, let alone claiming, that I’m trying to speak for or in the voice of you or your family or your kinfolk, tribe, culture, religion, conspiracy theory or whatever you identify with or as — well, that’s about you and the alchemy of storytelling. If you find yourself in this work and dislike what you find, don’t make it about me. Write your own story. That’s where you’ll find what you’re looking for.

— the Author

Homesick

For the past five-and-a-half months I’ve been living in a dream world of my own making. I miss it.

When I was a child, I read to escape. Escape from boredom: our TV was a tiny black-and-white with no cable, I didn’t like sports and my school friends lived scattered and far away. Escape from company: I like quiet but I was in the middle of six kids and my parents liked to entertain, so I would retreat with a book to my bedroom or, if that wasn’t safe enough (I shared rooms with an older or younger sibling until I was 15), to the assured solitude of under-the-guest-room-bed. Escape from pain: in the worst year of my childhood, I read hundreds of folk- and fairy-tales, craving the triumph of the youngest over the oldest, the poor over the rich, the dreamer over the doer, the weak over the strong, whether through magic or the hero(ine)’s own, surprisingly sufficient nature.

One of my favourite writers, Diana Wynne Jones (may she rest in delight), said somewhere that she started writing for escape, too; that she and her sisters were insufficiently supplied with books to read and so she had to write to relieve the privations of not-so-benign neglect. I didn’t envy her lack but I did wonder what it would be like to be that motivated. I wanted to write so badly but couldn’t seem to stick to it. My notebooks were full of sparky ideas, beginnings and endings; I constantly described things in my head, in beautiful sentences that went nowhere; I wore myself out trying to figure people out and cast them as main characters in their own stories. I wrote good letters, all this time, and I helped many, many writers of stories see their way through sticky bits to the best story they could create, as an editor of children’s and YA fiction. I learned so much.

Finally, I got a job where I could create and write short works and be paid for them immediately. I went through hard psychic times, in which I figured out a few things about myself; I was seized by a story idea that wouldn’t let me go and which I worked on for over two years while I figured out a few more things about myself, including the probability that I have ADHD (diagnosis pending). With that last discovery, I’ve been able to forgive myself for “wasted” time and really get to work, using all the skills I’d gained so far. While I was working on my YA science/speculative novel, I discovered that I could get lost in writing the way I do in reading. I can wrestle with the angel of attention and win its blessings: total absorption, suspended time, surprise and delight and, finally, a finished project — beginning, middle and end.

The title of my novel is Otherwhere. I think there is going to be a sequel.

P.S. I have been blown away by this photographer, whose Instagram posts have often captured exactly and eerily what I imagined for my invented lands.

Rethinking Storytelling

Once there was a frog who had a —

No, not “had”

Once there was a frog who wanted to be a bird.

And how about also a bird that wanted to be a frog?

That’s ridiculous.

Why?

Why would a bird want to be a frog? It can fly, and it has all the space of the skies, and a frog just …

Has a swamp? A swamp is everything a frog needs: water for breathing and breeding, land and logs for calling and mating, bugs above for food and mud below for hibernation…

But it’s so dark and gloppy. The sky is wide and bright and—

Why would a frog want that?

frog-5952402_1920

Image by Rudy and Peter Skitterians from Pixabay

Interview

Interview

Q If God, why so much suffering?

A Theologians, philosophers, mystics and writers have been wrestling with this question in its various forms for as long as we know. They’ve come up with some interesting answers and their work is still in print or available no further away than an internet query. So, why are you asking me?

Q Because I want to hear your answer.

A I just gave it to you.

Q I want to know what you think.

A About what?

Q About God and suffering.

A Do you, though? Do you really?

Q Yes.

A Well, you’ll have to shadow me for the rest of my life, then. Because I’m thinking all the time. Even in my sleep — that’s called dreaming.

Look, let me put it this way for you. If someone really needs an answer to that question—if their faith or their refusal of faith depends on it—then they should engage with those theologians and philosophers and mystics and writers. And not just ask any old person who believes in God. That’s like handing your nest egg to a passing acquaintance to take care of. Instead of doing some research and finding an actual money manager you can trust.

Q How so?

A Write this down: Matthew 25 verses 14 to 30. Now write this down: “Talent” doesn’t mean what you think it does.