Three Framed Photos Of Birds Given To Me By A Friend

I

Everyone knows a sparrow;
common as dirt.
Dirt-coloured too, every earthen shade:
granite to iron oxide to the deepest, velvet dark,
streaking to slate in a sand-edged tail.

Here, you are a welcome bit of warmth in winterland —
a meadow blurred with snow,
stalks of spent summer glowing gold in the white light.

Brought front and centre, the striped head and
the seed-like beak reveal another wonder:
an infinitesimal exhalation etching itself on the frigid air.

O holy ghost, ever invisible to the naked, yearning eye;
O Life, O Art:

This is your testament.

II

Winter again: snow and faded goldenrod,
shades of pewter, save for your fuzzy summer peach.

The day is cold:
You sport a junco puffer vest and muffler;
frost furs your balaclava-beak.

Dear little one, keep living.

III

— the sun, the day —
The eastern bluebird sings a picture without words.
I am entranced by the perfection of its feet,
insectizoid in their jointure.

We think of you as creatures of the air but are you, really?
Your regal side-eye pins me to your place.
Twig and lichen are your grasp, Sky
no more than backdrop blue, Tree
mere hazy branching.
In indigo-and-russet robe you pose,
nature and capture made perfect frame:
one radiant scion of that race, which, once and long ago,
reigned, lordly, over all the earth.

Written for Isabel M.
(c) 2024 by Laura Peetoom

Three bird images side by side: a sparrow perched on a branch in a snowy landscape, a junco in muted colors, and an eastern bluebird with a vibrant orange chest sitting on a twig.

Hammer/Nail

That you are and always have been strong.
That you were strong enough to survive; that you’re strong enough for more.
That you’re engaged in something more.
That you tested us. That none of us passed the test.
That none of us can pass the test.
That you hesitate to blame us.

That your judgements are valid;
that they have bitten deeply.
That your judgements are invalid;
that they shook our foundation.
That your judgements arise from your experience.
That your experience has scarred you.

That you are examining your scars.
That anger is the light by which you see the features of the scars.
That you must absolutely shine the anger.
That everything is coloured by the anger.

That our eyes close against the harsh light.
That we search for tools of healing; that we search blindly.
That the shapes in our hands are like those of the tools that have hurt us.
That they are hurting us now; that they have become weapons.

That we must empty our hands.

That we must wait for the morning.

© 2024 by Laura Peetoom

Hearts

heart feature image“I don’t like hearts,” a friend said, when the shape of a potential something was being discussed. This both startled (I’m so used to feeling alone in my strange dislikes) and buoyed me. My heart, as it were, leapt.

I’ve internalized (“learned by heart”) the history of the heart shape; if you haven’t, catch up here.  

Sometime in my early teens it became fashionable among the girls in class to dot each i with a tiny heart. I tried it for one day and then quit in embarrassment. This was around the time when the “I [heart] New York” campaign was launched, and the word became a verb. The one use did not cancel out the other. The heart shape still feels Barbie-ish and try-hard girly to me. Kawaii, ne?  

Despite my aversion, the heart has found me three times in recent years.  

One

At some point while my kids were still at home, a ring appeared on the windowsill above our kitchen sink, gold with a purple stone that I thought was amethyst, until my daughter the Krystal Keeper informed me it was tanzanite. I think one of her friends left it behind after helping with the dishes one evening. Whoever you are, you may have it back — but I wear it on a pinky finger in the meantime. It’s delicate and pretty and so not me, but who am I to question a gift from the universe?  

Two

A few summers ago my mother gave me some money for my birthday, and I bought a gold-and-amethyst ring with it. I like gold and I like amethyst and I was into rings at the time. Not until I read the description of my purchase on the receipt did I see the twin hearts.

Three

The most recent is the most mysterious heart of all. We had a scraggly-looking, tree-like houseplant that had become completely pot-bound. The twisted root ball was interesting, so I knocked off all the dirt and kept it (as I do) on our balcony. When it finally called to me, the first thing I saw was the heart.

My “witchy stick” has been in progress for a couple of years now, and has so far been adorned with snakeskin, silk, copper, glass and iron. The latest addition was just two days ago — some green curly-willow twigs from a tree in the yard of the very same friend I began this post with.  

Witchy heart

Perhaps it’s finished now?

Disclaimer

It’s been a few years, and there’s a chill in the air. When the time comes and my current books are launched, they may have to include a new paragraph on the copyright page. To whit:

Dear Reader:

This whole work is about me — my story about as much of the world as I’ve experienced. The world is vast. Imagining, let alone claiming, that I’m trying to speak for or in the voice of you or your family or your kinfolk, tribe, culture, religion, conspiracy theory or whatever you identify with or as — well, that’s about you and the alchemy of storytelling. If you find yourself in this work and dislike what you find, don’t make it about me. Write your own story. That’s where you’ll find what you’re looking for.

— the Author

Courage

I’ve been struggling a bit with my emerging writer’s identity. I realized that, while I have many clear ideas for children’s books that I could be pitching and selling quite readily, that’s not my primary motivation right now. I’m so full of secrets that I need to tell. This is very scary. What if they get me in trouble? What if no one cares? 

In this mood, I think about Bobby McFerrin, the musician who got famous for his song, “Don’t Worry, Be Happy.” He is one of the bravest artists I have ever encountered. I remember the first time I saw him in performance, online in a video recorded after he’d repudiated “Don’t Worry.” He stood before a huge audience on an empty stage with nothing but his self and a mike, and brought the universe of human music down to earth. Every person in that dark audience, including me, was persuaded to enter his dream with dancing hearts.  

https://en.wikipedia.org/wiki/Bobby_McFerrin

And in this video, look at how he rejects the efforts of the people behind him to turn what he is doing into mere amusement, that old shuckin’ and jivin’ for the Man. The audience, after that first spontaneous tonal jump, is 100% with him, learning what he has learned, delighting as he delights. The men in the chairs — you feel sorry for them. They’re trapped in a nervous, tittering hell of their own making, while McFerrin and his happy flock are playing in Paradise.  

Earlier in my life I turned my talents to making a living. Now, with the wolf farther from the door, I have space to make art. Dark stage, invisible audience, just my mind and my words. Cue the spotlight. Here we go.

A Message for You

One’s commitment to a series (books, shows) and other repeated experiences rests on two things, surprise and satisfaction. Either one or the other, depending; when it comes to book and TV series, I prefer surprise. When the thing offers no more surprises, no twists that I didn’t predict, then I’m out. Others look for satisfaction: “Package delivered, just as expected.” These two aren’t warring; they’re equal companions, in different measures, in all persons. One holds you up and one carries you forward.

Sometimes life feels like a bad series. Nothing satisfies, and the only surprises are blows. Your little ship is cracked and breaking and your sails are torn. In this state, your limited energy is spent on just not sinking, never mind catching wind, and getting out of the doldrums seems impossible. But you’re a ship and meant for going places. You have to fix your sail. How?

Ask for help. Pray for a windfall, to God or the universe — just enough blessing to make the extra effort worthwhile. Then, cast a line into your future — some interest that a slightly-stronger you might pursue. Let that pull you forward while you fix all the holes. And then, one day, your sail will lift, then swell. And you’ll be ready to put your hand to the tiller and your eyes on the horizon and go.

sailing

The Seven Stages of Woman

Jacques’ speech in As You Like It by Wm Shakespeare (Act II, Scene vii) reinterpreted

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one woman in her time plays many parts,
Her acts being seven ages. At first, the infant,
Mewling and puking in the nurse’s arms.
Then the crosspatch helper, with her ideas
And tightly braided hair, pulled from her play and set
Unwillingly to work. And then the lovesick,
Sighing like a furnace, fizzy with delight
When her eye’s fancy returns a look. Then a Mother,
Full of strange life and bellied like the moon,
Jealous in honor, sudden and quick in quarrel,
Claiming the better method
Even in the night’s wee hours. And then the Karen,
In fair round belly with good capon lined,
With eyes severe and hair of formal cut,
Full of wise saws and modern instances;
And so she plays her part. The sixth age shifts
Into the spare and careful yogini,
With spectacles on head and purse on back;
Her youthful size, resumed, covered in skin
Too dry and loose, and her woman’s voice
Turning again toward childish uselessness,
A melancholy sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

Homesick

For the past five-and-a-half months I’ve been living in a dream world of my own making. I miss it.

When I was a child, I read to escape. Escape from boredom: our TV was a tiny black-and-white with no cable, I didn’t like sports and my school friends lived scattered and far away. Escape from company: I like quiet but I was in the middle of six kids and my parents liked to entertain, so I would retreat with a book to my bedroom or, if that wasn’t safe enough (I shared rooms with an older or younger sibling until I was 15), to the assured solitude of under-the-guest-room-bed. Escape from pain: in the worst year of my childhood, I read hundreds of folk- and fairy-tales, craving the triumph of the youngest over the oldest, the poor over the rich, the dreamer over the doer, the weak over the strong, whether through magic or the hero(ine)’s own, surprisingly sufficient nature.

One of my favourite writers, Diana Wynne Jones (may she rest in delight), said somewhere that she started writing for escape, too; that she and her sisters were insufficiently supplied with books to read and so she had to write to relieve the privations of not-so-benign neglect. I didn’t envy her lack but I did wonder what it would be like to be that motivated. I wanted to write so badly but couldn’t seem to stick to it. My notebooks were full of sparky ideas, beginnings and endings; I constantly described things in my head, in beautiful sentences that went nowhere; I wore myself out trying to figure people out and cast them as main characters in their own stories. I wrote good letters, all this time, and I helped many, many writers of stories see their way through sticky bits to the best story they could create, as an editor of children’s and YA fiction. I learned so much.

Finally, I got a job where I could create and write short works and be paid for them immediately. I went through hard psychic times, in which I figured out a few things about myself; I was seized by a story idea that wouldn’t let me go and which I worked on for over two years while I figured out a few more things about myself, including the probability that I have ADHD (diagnosis pending). With that last discovery, I’ve been able to forgive myself for “wasted” time and really get to work, using all the skills I’d gained so far. While I was working on my YA science/speculative novel, I discovered that I could get lost in writing the way I do in reading. I can wrestle with the angel of attention and win its blessings: total absorption, suspended time, surprise and delight and, finally, a finished project — beginning, middle and end.

The title of my novel is Otherwhere. I think there is going to be a sequel.

P.S. I have been blown away by this photographer, whose Instagram posts have often captured exactly and eerily what I imagined for my invented lands.

Rethinking Storytelling

Once there was a frog who had a —

No, not “had”

Once there was a frog who wanted to be a bird.

And how about also a bird that wanted to be a frog?

That’s ridiculous.

Why?

Why would a bird want to be a frog? It can fly, and it has all the space of the skies, and a frog just …

Has a swamp? A swamp is everything a frog needs: water for breathing and breeding, land and logs for calling and mating, bugs above for food and mud below for hibernation…

But it’s so dark and gloppy. The sky is wide and bright and—

Why would a frog want that?

frog-5952402_1920

Image by Rudy and Peter Skitterians from Pixabay